Who is K. CHAE

์„ธ์ƒ์„ ์ปฌ๋Ÿฌ๋กœ ๋‹ด๋Š” ์‚ฌ์ง„๊ฐ€, ์ผ€์ด์ฑ„

์ผ€์ด์ฑ„์˜ ์‚ฌ์ง„

์ผ€์ด์ฑ„์˜ ์‚ฌ์ง„์ด๋ผ๊ณ  ํ•˜๋ฉด ์–˜๊ธฐํ•  ์ˆ˜ ์žˆ๋Š” ๋‘๊ฐ€์ง€์˜ ๋ถ„๋ช…ํ•œ ํŠน์ง•์„ ์ด์•ผ๊ธฐํ•ด๋ณด์ž๋ฉด, ์ฒซ๋ฒˆ์งธ๋กœ๋Š” ๊ทธ์˜ ์‚ฌ์ง„์—๋Š” ์–ด๋– ํ•œ ์—ฐ์ถœ๋„ ์—†๋‹ค๋Š” ๊ฒƒ์„ ๋“ค ์ˆ˜ ์žˆ๋‹ค. 20์„ธ๊ธฐ์ดˆ์˜ ์‚ฌ์ง„๊ณ„์˜ ์ „์„ค๋“ค์˜ ์˜ํ–ฅ์„ ๋ฐ›์€ ๊ทธ๋Š” ๋ฌด์—‡๋ณด๋‹ค ์ž์‹ ์„ ๊ฑฐ๋ฆฌ ์‚ฌ์ง„๊ฐ€๋ผ๊ณ  ๋ฏฟ๋Š”๋‹ค. ๊ทธ๋ ‡๊ธฐ์— ๊ทธ์˜ ์‚ฌ์ง„์€ ์ˆœ๊ฐ„์„ ๋งŒ๋“ค์–ด๋‚ด๊ฑฐ๋‚˜ ๊พธ๋ฉฐ๋‚ด์„œ ์ฐ๋Š” ๊ฒƒ์ด ์•„๋‹Œ ์˜ค์ง ๋ฐœ๊ฒฌํ•จ์œผ๋กœ์„œ ๋งŒ๋“ค์–ด์ง„๋‹ค. ๋ฐœ๊ฒฌํ•œ ๊ทธ ์ˆœ๊ฐ„๋“ค์„ ๊ทธ๊ฐ€ ๊ฐ€์ง„ ํŠน์ดํ•œ ์‹œ์„ ์œผ๋กœ ๋‹ด์•„๋‚ด๋Š” ๊ฒƒ์ด๋‹ค. ๊ทธ๋Š” ํ•ญ์ƒ ๋”ฐ์Šคํ•จ์„, ํ–‰๋ณตํ•จ์„, ๊ทธ๋ฆฌ๊ณ  ์‚ถ์˜ ์ฆ๊ฑฐ์›€์„ ์ซ“์•„ ๋ˆˆ์„ ์›€์ง์ธ๋‹ค.

์ผ€์ด์ฑ„ ์ž‘๊ฐ€์˜ ์‚ฌ์ง„์„ ๋ณด์•˜์„๋•Œ ์‚ฌ๋žŒ๋“ค์ด ๊ฐ€์žฅ ๋จผ์ € ์ธ์ƒ๊นŠ๊ฒŒ ๋ฐ›์•„๋“ค์ด๋Š” ๋ถ€๋ถ„์€ ์—ญ์‹œ๋‚˜ ์ปฌ๋Ÿฌ๋‹ค. ์ˆ˜๋งŽ์€ ๋ฌผ๊ฐ์„ ์ง„๋“ํ•˜๊ฒŒ ํ’€์–ด๋†“์€๋“ฏํ•œ ๊ทธ ์ปฌ๋Ÿฌํ’€ํ•จ์€ ๊ทธ์˜ ๋ชจ๋“  ์ž‘์—…์—์„œ ๋“ค์–ด๋‚˜๋Š” ํŠน์„ฑ์œผ๋กœ, ํƒ€ ์ž‘๊ฐ€๋“ค๊ณผ ๊ทธ์˜ ์‚ฌ์ง„์„ ํ™•์—ฐํ•˜๊ฒŒ ๊ตฌ๋ถ„์ง€์–ด์ฃผ๋Š” ์—ญํ• ์„ ํ•œ๋‹ค. ํ•˜์ง€๋งŒ ์ด๋Ÿฐ ์ปฌ๋Ÿฌํ’€ํ•œ ์Šคํƒ€์ผ์€ ๊ทธ๊ฐ€ ๋‹จ์ง€ ๋‚จ๋“ค๊ณผ ๋‹ค๋ฅด๊ธฐ ์œ„ํ•ด ์—ฐ๊ตฌํ•˜๊ฑฐ๋‚˜ ์ƒ๊ฐํ•œ ๊ฒƒ์ด ์•„๋‹ˆ๋‹ค. ์ผ€์ด์ฑ„๊ฐ€ ์ปฌ๋Ÿฌํ’€ํ•œ ์‚ฌ์ง„์„ ์ฐ๋Š” ์ด์œ ๋Š” ๊ทธ ์ž์‹ ์ด ์ปฌ๋Ÿฌํ’€ํ•œ ์‚ฌ๋žŒ์ด๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์–ด๋ฆด๋•Œ๋ถ€ํ„ฐ ํ™”๋ คํ•œ ์ƒ‰์— ๋Œ๋ ธ๋˜ ๊ทธ๋Š” ์„ธ์ƒ์„ ๋ฐ”๋ผ๋ณผ๋•Œ ๋Š˜ ์ƒ‰์— ๋จผ์ € ๋ฐ˜์‘ํ–ˆ๊ณ  ์ƒ‰์— ๋Œ๋ ค ์›€์ง์˜€๋‹ค. ํ”„๋ž‘์Šค์˜ ์‚ฌ์ง„์ž‘๊ฐ€ ์œŒ๋ฆฌ ๋กœ๋‹ˆ์Šค๊ฐ€ ๋งํ•˜๊ธธ, '์šฐ๋ฆฌ๋Š” ์‚ฌ์ง„์„ ์ฐ์„ ๋•Œ ์ง„์งœ๋ฅผ ๋ณด๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ์šฐ๋ฆฌ ์ž์‹ ์„ ๋ณด๊ฒŒ ๋œ๋‹ค'๋ผ๊ณ  ํ–ˆ๋‹ค. ์ด๊ฒƒ์€ ์ผ€์ด์ฑ„ ์ž‘๊ฐ€์˜ ๋ฏฟ์Œ์ด๊ธฐ๋„ ํ•˜๋‹ค. ๊ทธ์—๊ฒŒ ์‚ฌ์ง„์„ ๋‹ด๋Š”๋‹ค๋Š” ๊ฒƒ์€ ๋‹จ์ง€ ๋ฌด์–ธ๊ฐ€๋ฅผ ์ฐ๋Š” ํ–‰์œ„๊ฐ€ ์•„๋‹Œ ์ž์‹ ์„ ํ‘œํ˜„ํ•˜๋Š” ๋ฐฉ๋ฒ•์ด๋‹ค. ์–ด๋ฆฐ ์‹œ์ ˆ ์–ด๋จธ๋‹ˆ ์˜ท์„ ํ›”์ณ์ž…์„ ์ •๋„๋กœ ์ปฌ๋Ÿฌํ’€ํ•œ ๊ฒƒ์„ ์ข‹์•„ํ•œ ์‚ฌ๋žŒ์ด์—ˆ๊ธฐ์—, ์ง€๊ธˆ๋„ ํ˜•ํ˜•์ƒ‰์ƒ‰์˜ ์˜ท๊ณผ ํ™”๋ คํ•œ ์•ˆ๊ฒฝ์„ ์“ฐ๋Š” ์‚ฌ๋žŒ์ด๊ธฐ์—. ๊ทธ๋ ‡๊ธฐ์— ๊ทธ๋Š” ์ปฌ๋Ÿฌํ’€ํ•œ ์‚ฌ์ง„์„ ์ถ”๊ตฌํ•˜๊ฒŒ ๋œ ๊ฒƒ์ด๋‹ค. ์ผ€์ด์ฑ„ ์ž‘๊ฐ€๋Š” ํ‘๋ฐฑ ์‚ฌ์ง„์„ ์ ˆ๋Œ€ ์ฐ์ง€ ์•Š๋Š”๋‹ค.

์ด ๋‘๊ฐ€์ง€๋Š” ๊ต‰์žฅํžˆ ํŠน์ดํ•œ ์กฐํ™”๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ์˜ค๋ž˜๋œ ์˜› ๊ฑฐ๋ฆฌ ์‚ฌ์ง„๊ฐ€์˜ ๋ฐฉ์‹์„ ๋”ฐ๋ผ ์‚ฌ์ง„์„ ์ฐ์ง€๋งŒ ๊ทธ ๊ฒฐ๊ณผ๋ฌผ์€ ์ปจํŠธ๋ผ์ŠคํŠธ์™€ ์ปฌ๋Ÿฌ๊ฐ€ ๊ฐ•ํ•œ ์ด๋ฏธ์ง€์ด๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์–ด๋Š ํ•œ์ชฝ์€ ํ•˜๋”๋ผ๋„ ์ด ๋‘๊ฐ€์ง€๋ฅผ ํ•˜๋‚˜์˜ ์‚ฌ์ง„์— ํ•ฉ์ณ๋‚ด๋Š” ์ž‘๊ฐ€๋Š” ์—†๋‹ค. ํ•˜์ง€๋งŒ ๊ทธ๊ฒƒ์ด ๋ฐ”๋กœ ๊ทธ์˜ ์ž‘ํ’ˆ๋“ค์— ๋…ํŠนํ•œ ๊ฐœ์„ฑ์„ ๋ถ€์—ฌํ•˜๋Š” ์—ญํ• ์„ ํ•œ๋‹ค. ์ปดํ“จํ„ฐ๋กœ ๊ทธ์˜ ์‚ฌ์ง„์„ ๋ณผ ๋•Œ๋Š” ์ž˜ ๋“œ๋Ÿฌ๋‚˜์ง€ ์•Š์ง€๋งŒ, ๊ทธ์˜ ์ž‘ํ’ˆ์ด ์ธํ™”๋˜์–ด ์ „์‹œ ๋ ๋•Œ๋Š” ํ•ญ์ƒ ๊ทธ๊ฐ€ ์‚ฌ์šฉํ•˜๋Š” ํ…์Šค์ฒ˜๊ฐ€ ์žˆ๋Š” ์งˆ๊ฐ์„ ์ง€๋‹Œ ์ธํ™”์ง€๋ฅผ ์‚ฌ์šฉํ•จ์œผ๋กœ์„œ ๊ทธ์˜ ์ž‘ํ’ˆ์„ ๋” ์‚ฌ์ง„ ๊ฐ™์ง€ ์•Š์€, ๊ทธ๋ฆผ ๊ฐ™์€ ์ด๋ฏธ์ง€๋กœ ๋งŒ๋“ค์–ด๋‚ด๊ณ  ์žˆ๋‹ค. ์ „์‹œ๋œ ๊ทธ์˜ ์‚ฌ์ง„์„ ๋ณธ ๋งŽ์€ ์‚ฌ๋žŒ๋“ค์ด '๊ทธ๋ฆผ์ธ์ค„ ์•Œ์•˜๋‹ค'๊ณ  ๋งํ•˜๋Š” ์ด์œ ๋‹ค. ์ด๊ฒƒ์€ ์ฒ ์ €ํžˆ ๊ทธ๊ฐ€ ์ž์‹ ์˜ ์ž‘ํ’ˆ์„ ๋ณด์—ฌ์ฃผ๋Š” ๋ฐฉ์‹์œผ๋กœ ์˜๋„ํ•œ ๊ฒƒ์ด๋‹ค. ์ง„์งœ, ์žˆ๋Š” ๊ทธ๋Œ€๋กœ๋ฅผ ๋‹ด์•„๋‚ด๋Š” ๊ฒƒ์€ ์‚ฌ์ง„๊ฐ€๋กœ์„œ ๊ทธ์˜ ๋ชฉํ‘œ๊ฐ€ ์ „ํ˜€ ์•„๋‹ˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์˜ค์ง ๊ทธ๊ฐ€ ์„ธ์ƒ์„ ๋ฐ”๋ผ๋ณธ๋Œ€๋กœ, ๊ทธ์˜ ๋ˆˆ์— ๋น„์นœ๋Œ€๋กœ ์‚ฌ์ง„์„ ๋‹ด๊ณ  ๋˜ ์™„์„ฑํ•˜๊ณ ์ž ํ•˜๋ฉฐ ๊ทธ๊ฒƒ์ด ์‚ฌ์ง„๊ฐ€ ์ผ€์ด์ฑ„์˜ ์‚ฌ์ง„์ด๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ ๊ฒฐ๊ณผ๋Š” ์ง€๊ธˆ ์—ฌ๋Ÿฌ๋ถ„์ด ๋ณด์‹œ๋Š” ๊ทธ๋Œ€๋กœ๋‹ค. 


K. CHAE photography

There is two distinct characteristics when it comes to the K. CHAE's photography. First, none of his works are staged. Inspired by master photographers of early 20th century, K. considers himself to be a street photographer first and foremost. Thus he takes pictures not by creating moments, but rather by discovering them. He sees the world in his own little unique ways, and his images reflect the perspectives he has on the world. He chases warmth, happiness, and joy in life.

The one feature people immediately recognize when they look at K's photographs are colors. Vivid and saturated colors are uniformly present in his works. It is something that separate his works apart among others, but it isn't something he came up with just to be different. K. Chae takes colorful pictures becasue he is a colorful person. From young age, K. was intrigued by colors. When he sees the world, colorful things are what attract his eyes. Colors are what makes him move. Willy Ronis once said 'When we take a picture we don't see what is real. We see who we are.' K. Chae believes in the sentiment. To him, photography is not recording what is 'real'.' It is a form of expression. He was drawn to colors, and he himself was such a colorful person. He wears colorful clothes and funky glasses all his life and his photographs are reflections of himself. That is origin of his unique colorful images. K. never takes a black and white images. Not even a single shot.

It is a unique combination. Photographs shot with such old school technique of street photography, yet its result is colorful, contrasty, and saturated. The two don't seem go along together. But that is what gives his work that unique feel. It isn't shown too much when seen on computers, but when his works are printed, which he considers to be the final result of his works, he uses textured papers which he specifically picks for his photographs. When combined together, it looks like paintings. This is by design. Some photographers don't like it when people say their works don't look 'real'. But capturing what is real has never been his intention. K. Chae only wants to photograph what he sees, as how he sees them in his own eyes. And the result is what you see here.

์ผ€์ด์ฑ„ ํ”„๋กœํ•„

1979๋…„, ์ธ์ฒœ์—์„œ ํƒœ์–ด๋‚œ ์ผ€์ด์ฑ„ ์ž‘๊ฐ€๋Š” ์–ด๋ฆฐ ๋‚˜์ด๋ถ€ํ„ฐ ์„ธ์ƒ์„ ๋– ๋Œ๊ธฐ ์‹œ์ž‘ํ–ˆ๋‹ค. 1994๋…„์— ๊ทธ์˜ ๋ถ€๋ชจ๋‹˜์„ ๋”ฐ๋ผ ์˜จ๋‘๋ผ์Šค๋กœ ๋– ๋‚ฌ๊ณ , 1๋…„๋ฐ˜ ๋™์•ˆ ๊ทธ๊ณณ์—์„œ ์‚ด๋ฉฐ ์ฒ˜์Œ ์ŠคํŽ˜์ธ์–ด๋ฅผ ๋ฐฐ์šฐ๊ธฐ๋„ ํ–ˆ๋‹ค. ์ธ์ƒ์˜ ์ฒซ ํ•ด์™ธ ์—ฌํ–‰์œผ๋กœ์„œ๋Š” ๋ฌด์ฒ™ ๋…ํŠนํ•œ ์žฅ์†Œ์˜€๋˜ ์…ˆ์ด์ง€๋งŒ, ๋Œ์•„๋ณด๋ฉด ์ด ๋˜ํ•œ ์‚ฌ์ง„๊ฐ€๋กœ์„œ์˜ ๊ทธ์˜ ์‚ถ์„ ๋„์™€์ฃผ๋Š” ๊ฒฝํ—˜์ด ๋˜์—ˆ๋‹ค.

1996๋…„์— ๊ทธ์™€ ๊ฐ€์กฑ๋“ค์€ ์ค‘๋ฏธ๋ฅผ ๋– ๋‚˜ ๋‰ด์š•์— ์ •์ฐฉํ•˜๊ฒŒ ๋œ๋‹ค. ๊ณ ๋“ฑํ•™๊ต๋ฅผ ๊ทธ๊ณณ์—์„œ ์กธ์—…ํ•œํ›„ 1998๋…„์— ๋กฑ์•„์ผ๋žœ๋“œ ๋Œ€ํ•™๊ต ๋ธŒ๋ฃจํด๋ฆฐ ์บ ํผ์Šค์— ์ž…ํ•™ํ•˜๋Š”๋ฐ, ๋‹น์‹œ ์ „๊ณต์„ ์ •ํ•˜์ง€ ์•Š๊ณ  ๋Œ€ํ•™์— ๋“ค์–ด๊ฐ”๋˜ ๊ทธ๋Š” ์‚ถ์—์„œ ๋ฌด์—‡์„ ํ•ด์•ผํ• ์ง€ ๊ฒฐ์ •ํ•˜์ง€ ๋ชปํ•œ ์ƒํƒœ์˜€๋‹ค. ์˜ˆ์ˆ ์„ ํ•˜๊ณ  ์‹ถ๋‹ค๋Š” ๋ง‰์—ฐํ•œ ๋งˆ์Œ์ด ์žˆ์–ด ์ฒ˜์Œ์—๋Š” ๋ฏธ์ˆ  ์ „๊ณต์„ ์‹œ๋„ํ–ˆ์ง€๋งŒ, ๊ทธ๋ฆผ์— ์ „ํ˜€ ์†Œ์งˆ์ด๋ผ๊ณ ๋Š” ์—†์—ˆ๊ธฐ์— ๊ธˆ๋ฐฉ ํฌ๊ธฐํ•  ์ˆ˜ ๋ฐ–์— ์—†์—ˆ๋‹ค. ํ•˜์ง€๋งŒ ๊ทธ๋•Œ ์ฒ˜์Œ ํ‘๋ฐฑ ์‚ฌ์ง„ ์ˆ˜์—…์„ ๋“ฃ๊ฒŒ ๋˜์—ˆ๊ณ  ์‚ฌ์ง„์˜ ๋งค๋ ฅ์— ๋น ์ ธ๋“ค๊ฒŒ ๋œ๋‹ค. ๊ทธ์—๊ฒŒ ์‚ฌ์ง„์ด ๊ทธ๋ฆฌ์ง€ ์•Š๊ณ ๋„ ๊ทธ๋ฆด ์ˆ˜ ์žˆ๋Š” ๋ฐฉ๋ฒ•์ด ๋˜์–ด์ฃผ์—ˆ๋˜ ๊ฒƒ์ด๋‹ค.

์ผ€์ด์ฑ„ ์ž‘๊ฐ€๊ฐ€ ๋ฐ”๋กœ ๊ทธ๋•Œ๋ถ€ํ„ฐ ์‚ฌ์ง„๊ฐ€์˜ ๊ธธ์„ ๊ฐ€๊ธฐ๋กœ ํ–ˆ๋˜ ๊ฒƒ์€ ์•„๋‹ˆ๋‹ค. ์ดํ›„ ๋ฐฉํ™ฉ์˜ ์‹œ๊ฐ„์ด ์žˆ์—ˆ๋‹ค. ์Œ์•…์„ ํ•˜๊ณ  ์‹ถ์–ด ์ด๋Ÿฐ์ €๋Ÿฐ ์‹œ๋„๋ฅผ ํ–ˆ๊ณ  ํ•œ๊ตญ์œผ๋กœ ๋Œ์•„๊ฐ€ ๊ตฐ๋Œ€์—๋„ ๋‹ค๋…€์™”๋‹ค. ๊ทธ๋ ‡๊ฒŒ 5๋…„๊ฐ„์„ ํ•™๊ต์—์„œ ๋–จ์–ด์ ธ ์ง€๋‚ด๋‹ค 2005๋…„์— ๋‹ค์‹œ ๋ณตํ•™์„ ํ•˜๊ฒŒ ๋œ๋‹ค. ์‚ฌ์ง„ ์„ธ์ƒ์€ ๋””์ง€ํ„ธ ํ˜๋ช…์„ ๋งž์ดํ•˜๋ฉฐ ํฌ๊ฒŒ ๋ณ€ํ•˜๊ณ  ์žˆ๋Š” ์ƒํ™ฉ์ด์—ˆ๋‹ค. ๊ทธ ๋˜ํ•œ ์ž์‹ ์˜ ์ฒซ ๋””์ง€ํ„ธ ์นด๋ฉ”๋ผ๋ฅผ ๊ตฌ์ž…ํ–ˆ๊ณ  ๊ทธ๋ ‡๊ฒŒ ๋‹ค์‹œ ์‚ฌ์ง„๊ณผ์˜ ์—ฐ์• ๋ฅผ ์‹œ์ž‘ํ•˜๊ฒŒ ๋œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  2007๋…„ ์ž…ํ•™ํ•œ์ง€ 9๋…„๋งŒ์—์•ผ ๋“œ๋””์–ด ์‚ฌ์ง„ ์ „๊ณต์œผ๋กœ์„œ ๋Œ€ํ•™์„ ์กธ์—…ํ•œ๋‹ค.

ํ•˜์ง€๋งŒ ์™ธ๊ตญ์ธ์ด์ž ์‚ฌ์ง„ ์ „๊ณต์ž๋กœ์„œ ๋‰ด์š•์—์„œ ์ผ์ž๋ฆฌ๋ฅผ ๊ตฌํ•œ๋‹ค๋Š” ๊ฒƒ์€ ์–ด๋ ค์› ๊ณ  ๊ทธ๋Š” ์กธ์—… ํ›„ ํ•œ๊ตญ์œผ๋กœ ๋Œ์•„์™€ ๊ทธ๋ ˆ์ดํ”„ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์Šค๋ผ๋Š” ๊ด‘๊ณ  ๋Œ€ํ–‰์‚ฌ์— ์ทจ์งํ•˜๊ฒŒ ๋œ๋‹ค. ๋‹น์‹œ์—๋Š” ๊ฐ€์žฅ ํฐ ๊ทœ๋ชจ์˜ ๋…๋ฆฝ ๋Œ€ํ–‰์‚ฌ์˜€๋˜ ๊ณณ์œผ๋กœ ๊ทธ๊ณณ์—์„œ 2๋…„๊ฐ„ ๊ด‘๊ณ PD๋กœ ์ผํ•˜๋ฉฐ ์œ ์ˆ˜์˜ ํ…”๋ ˆ๋น„์ „ ๊ด‘๊ณ  ์ œ์ž‘์— ์ฐธ์—ฌํ•œ๋‹ค. ์žฌ๋ฏธ์žˆ๋Š” ์‹œ๊ฐ„์ด์—ˆ์ง€๋งŒ ์—ญ์‹œ ์ง์žฅ ์ƒํ™œ์€ ๊ทธ์—๊ฒŒ ๋งž์ง€์•Š์•˜๊ณ , ๊ฒฐ๊ตญ 2009๋…„ ์‚ฌ์ง„๊ฐ€๋กœ์„œ ์‚ด์•„๋ณด๊ฒ ๋‹ค๋Š” ๊ฟˆ์„ ๊ฐ€์ง€๊ณ  ์ผ€์ด์ฑ„ ์ž‘๊ฐ€๋Š” ๊ด‘๊ณ ์ผ์„ ๊ทธ๋งŒ๋‘๊ฒŒ ๋œ๋‹ค.

์‚ฌ์ง„์„ ํ•œ๋‹ค๊ณ  ํ•ด๋„ ์‚ฌ์‹ค ๋‹ค์–‘ํ•˜๊ณ  ๋งŽ์€ ์žฅ๋ฅด์˜ ์‚ฌ์ง„์ด ์žˆ๋‹ค. ๊ทธ๋Š” ํ˜„๋Œ€์‚ฌ์ง„์˜ ์žฅ๋ฅด์™€ ์ Š์€ ์ž‘๊ฐ€๋“ค์—๊ฒŒ๋Š” ์–ด๋– ํ•œ ์˜๊ฐ๋„ ๋ฐ›์ง€ ๋ชปํ–ˆ๋‹ค. ๊ทธ๋ฅผ ๊ฐ๋™์‹œํ‚จ ๊ฒƒ์€ ์—˜๋ฆฌ์—‡ ์–ด์œ—, ์œŒ๋ฆฌ ๋กœ๋‹ˆ์Šค, ๋กœ๋ฒ„ํŠธ ํ”„๋žญํฌ์™€ ๊ฐ™์€ ์ธ๋ฌผ๋“ค์ด์—ˆ๋‹ค. 20์„ธ๊ธฐ์ดˆ๋ฅผ ํ’๋ฏธํ•œ ๊ฑฐ๋ฆฌ ์‚ฌ์ง„๊ฐ€๋“ค ๋ง์ด๋‹ค. ๊ทธ๋“ค์€ ๋‹น๋Œ€ ์„ธ๊ณ„๋ฅผ ์—ฌํ–‰ํ•˜๋ฉฐ ์‚ฌ์ง„์„ ๋‹ด์•„๋‚ธ ์ธ๋ฌผ๋“ค์ด์—ˆ๋‹ค. ๊ทธ๋“ค์—๊ฒŒ ๊ฐ๋ช…๋ฐ›์€ ์ผ€์ด์ฑ„ ์ž‘๊ฐ€๋Š” ์ž์‹  ๋˜ํ•œ ์„ธ์ƒ์„ ๋Œ๋ฉฐ ์‚ฌ์ง„์„ ๋‹ด๊ณ  ์‹ถ๋‹ค๋Š” ๊ฟˆ์„ ๊ฐ€์ง€๊ฒŒ ๋œ๋‹ค. ํ•˜์ง€๋งŒ ๊ทธ๋“ค์ด ํ–ˆ๋˜ ๊ทธ๋Œ€๋กœ๊ฐ€ ์•„๋‹Œ ์ž์‹ ๋งŒ์˜ ์‚ฌ์ง„์œผ๋กœ ๋‹ด์•„๋‚ด๊ณ  ์‹ถ์—ˆ๋‹ค. ๊ทธ ๋ชฉํ‘œ๋ฅผ ๊ฐ€์ง€๊ณ  2000๋…„๋ถ€ํ„ฐ ๊ทธ์˜ ๋ฐฉ๋ž‘์€ ์‹œ์ž‘๋˜์—ˆ๊ณ , 2018๋…„๊นŒ์ง€ 70๊ฐœ๊ตญ ๋„˜๋Š” ๊ตญ๊ฐ€๋“ค๊ณผ ์ˆ˜๋ฐฑ๊ฐœ์˜ ๋„์‹œ๋“ค์„ ์‚ฌ์ง„์œผ๋กœ ๋‹ด์•„๋‚ด์—ˆ๋‹ค. ํ•˜์ง€๋งŒ ์•„์ง๋„ ์ด ์ž‘์—…์€ ์—ฌ์ „ํžˆ ์ง„ํ–‰์ค‘์ด๋‹ค. ๋ชจ๋“  ๊ฒƒ์ด ๋๋‚ฌ์„๋•Œ ๊ทธ๋Š” 100๊ฐœ ์ด์ƒ์˜ ๊ตญ๊ฐ€๋“ค์„ ๋ชจ๋‘ ์ž์‹ ๋งŒ์˜ ์‚ฌ์ง„์œผ๋กœ ๋‹ด์•„๋‚ด์–ด ์ด ํ‰์ƒ์„ ๊ฑด ํ”„๋กœ์ ํŠธ๋ฅผ ์™„์„ฑํ•˜๊ณ ์ž ํ•œ๋‹ค.

์˜ค๋Š˜๋‚  ์ผ€์ด์ฑ„ ์ž‘๊ฐ€๋Š” ์‚ฌ์ง„์„ ์œ„ํ•ด ์„ธ์ƒ์„ ๋ฐฉ๋ž‘ํ•˜๋Š” ์‹œ๊ฐ„ ์™ธ์—๋Š” ์„œ์šธ์— ๋จธ๋ฌผ๊ณ  ์žˆ๋‹ค. ํ˜„์žฌ๊นŒ์ง€ 4๊ถŒ์˜ ์‚ฌ์ง„์ง‘/ํฌํ† ์—์„ธ์ด๋ฅผ ์ถœ๊ฐ„ํ–ˆ์œผ๋ฉฐ, ์ง€๋‚œ 10๋…„๊ฐ„ 10ํšŒ ์ด์ƒ์˜ ์‚ฌ์ง„์ „์„ ๊ฐ€์กŒ๋‹ค. ์ƒ์—…์‚ฌ์ง„ ์ž‘์—… ๋˜ํ•œ ํ‹ˆํ‹ˆํžˆ ์ด์–ด๊ฐ€๋ฉฐ ๋„ค์ด๋ฒ„, ์นด์นด์˜ค, ํ˜„๋Œ€์นด๋“œ, ์†Œ๋‹ˆ, ๋ผ์ด์นด, ๋“€์˜ค๋“ฑ์„ ํด๋ผ์ด์–ธํŠธ๋กœ ์ดฌ์˜ํ–ˆ๋‹ค. ๋˜ํ•œ ์‚ฌ์ง„๊ณผ ์—ฌํ–‰์— ๋Œ€ํ•œ ์–ธ๋ณ€์œผ๋กœ ์œ ๋ช…ํ•˜์—ฌ ๋งŽ์€ ์ž๋ฆฌ์—์„œ ๊ฐ•์—ฐ๊ณผ ๊ฐ•์˜๋ฅผ ํ†ตํ•ด ๋” ๋งŽ์€ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ๊ทธ์˜ ์‚ฌ์ง„ ์„ธ๊ณ„๋ฅผ ์„ค๋ช…ํ•˜๊ณ  ๋˜ ๋“ค๋ ค์ฃผ๊ณ  ์žˆ๊ธฐ๋„ ํ•˜๋‹ค.


K. CHAE profile

Born in 1979, Incheon, South Korea, K. Chae started moving around in early age. In 1994 he followed his parents to Honduras for a year and half, and it was then he learned his first foreign language- Spanish. It was a unique place to get your bearings on what the 'foreign' world looked like, to say the least. But in retrospect, it all came back to help him as a photographer in the end.

In 1996 his family moved to New York. He graduated high shcool there, and was enrolled into Long Island University in Brooklyn in 1998. Having entered the school without setting on a major, he wasn't sure what he wanted to do with his life. Knew he wanted to be an artist. He tried out art major for a semester, but he never was good at drawing with his hands. However it was a black and white film class he took during that time that showed him a path. To him, it seemed a way to draw without actually drawing. It was the beginning of his life as a photographer.

He didn't immediately pursed photography as his profession however. There were many personal wanderings in between as he tried his hands on music, and then serving for his country in army. For five years he was out of school wandering about what to do with his life. In 2005 he finally returned back to school. Photography world was altered altogether with emergence of digital photography. He bought his first digital camera then, and renewed his love for photography. In 2007, K. finally graduated to earn B.A in Photography.

As a foreigner and a photography major, it wasn't easy getting a job in New York. K. returned back to South Korea after graduation and was hired by Grape Communications, one of Korea's top advertisement agencies at the time, and participated in making television advertisements for some of Korea's biggest brands as a CM Planner of the company for 2 years. But 9 to 5 job wasn't really something he could get used to. His passion for photography only continued to grow. In 2009 he resigned from the position to try becoming a professional photographer.

There are so many different types of photography. He never was inspired by what they call modern art photographers, however. Elliott Erwitt, Willy Ronis, Robert Frank.. those were the names. Old street photographers of 20th century. They traveled across the globe to take pictures, and that was what K. was intrigued by. He decided to photograph the world like they had, but not just as they did. He wanted to capture the world in his own unique ways. So began his lifelong project as a photographer, to photograph the world. Since 2009, he's traveled more than 70 countries, photographing hundreds of cities. However the project is still far from being completed. He hopes to photograph 100 plus countries in the end. To finish his life's work.

In between his photographic journeys K. Chae works in Seoul, South Korea. He's published 4 photography books, had 10 plus exhibitions in the past 10 years. K. also does commercial works in the meantime, his clients list including likes of Sony, Leica Korea, Kakao, Naver, Finnish Tourism Board, among others.